Residency ΚΟΙΝΩΝΩ // Kinono 4 | “Four (plus one) Elements)”, Tinos, Greece

 

After four years of continuous presence on the island of Tinos, Kinono Tinos Art Gathering introduces this year’s Thematic Series of “Four (plus one) elements”, which will last for a whole year, through four different seasons, until the fall of 2020.

Κinono borrows the four elements of earth, fire, water and air and adds the element of time, on two tokens, one as the alternating seasons of the year and two as the season of human intervention on natural and cultural landscapes. This way it wishes to draw the attention of artists, scientists, philosophers and researchers to the dual passing of time and to the particular atmosphere and characteristics of the island of Tinos.

The theme of 4+1 elements is a proposal which aims to integrate the landscape itself to our concept of space, time, energy. The 4+1 elements project will delve into the relationships between the modern interdisciplinary scientific practices of visual arts, research, humane sciences, and new media, time and place expression through the islands material environments. Those environments vary: constructed or natural, both interior and exterior, urban and agricultural, material and immaterial as well as comprised by a complex of places, historical buildings, natural landscapes. It is a project that aims at researching and absorbing both the landscape-nature-time in our concept for time and space, material and tradition, matter, energy, natural resources and the environment with activities, processes and narrations coming from experimental, imaginative, descriptive ways for creating an environment.

In order to implement this year’s thematic series, “Kinono” is making an open call for the formulation of proposals / projects by choosing one of the following four elements: Fire (winter), Water (spring), Air (summer), Earth (Autumn) , to be created (through resident-hospitality) and presented respectively in the months of: January, April, August, October 2020 in different locations and buildings throughout the island of Tinos in relation to their respective elements.

ΚΟΙΝΩΝΩ // Kinono

 

 

 

 

Band 6 der Schriftenreihe der Willms Neuhaus Stiftung – Zufall und Gestaltung, Fragment, 2019

 

Buchpräsentation | Ausstellung

Am 6. Dezember um 19h wird der auf rund 190 Seiten gewachsene Band im Projektraum ANT der Willms Neuhaus Stiftung präsentiert und im Rahmen einer Ausstellung „UNVOLLENDET“  Fragmentarisches im künstlerischen Prozess mit Arbeiten von Studierenden von designkrefeld, Hochschule Niederrheingefeiert.

Projektraum ANT | Furtwänglerstraße 26 b | 14193 Berlin Grunewald | www.willms-neuhaus-stiftung.de 

 

 

 

4th edition of GESTE, the image-based art and photography exhibition, 2019

 

Exhibition from 01/11 to 30/11/2019

GESTE Paris, 10 rue croix des Petits Champs, 75001 Paris

This year marks the 4th edition of GESTE Paris, from November 1st to November 31st, a group show dedicated to the photographic and filmic «gesture» as coined by philosopher Vilém Flusser and a recognized place of discovery and meeting of established and emerging artists from all over the world. This year, gathered around a theme: The Truth in Disguise.

Visual media of 20+ artists including: Idris Khan, The Mariwai Project, Christer Strömholm, Laia Abril, Naomi B. Cook, Nicole Cohen, John Stezaker, Yuken Teruya, Joan Foncuberta, Tom Lovelace, Andreas Gursky, Sebastiaan Bremer, David Young, C. Javier Barrera, Marina Abramovič & Ulay

& From the Open Call : Claire Laude, Paul Cupido, Baptiste Giroudon, Bichara, Julianne Foster, Hannah Hughes, Edward Maloney, Gonna Sakellaraki, Iveta Gabalina, Gloria Oyarzabal, Edgar Martins, Felipe Jacome

The Truth in Disguise will resonate through various media such as photographic prints, video, sculpture and performance with a focus on unique works exhibited for the first time.
Exhibition, conferences and performances will take place in the friendly salon style atmosphere of a private apartment next to the Palais Royal throughout the month of November 2019.

GESTE is the link between a private collection, works of art from prestigious galleries, a selection of guest curators and a juried open call.

Exhibition dates 1 to 30 November 2019 

Vernissage/Preview Monday, November 4, 6-10pm 

Performance by Lovelace, artists talk, in the presence of curators and jury members Thursday, November 7, 6-11pm 

November 5 – 10 (every day) then from November

Geste Paris

 

 

 

 

SÅM – Esplorazione Visiva della Lessinia, Exhibition, Artist Residency 2019

 

Artist Residency 2019

Exhibition curated by Rafał Milach & Ania Nałęcka-Milach

Collaboration with Film Festival della Lessinia & Fonderia 20.9

With Claire Laude, Anto Milotta, Krzysztof Światły & Martina Lucy Zanin

Exhibition in Bosco Chiesanuova, from 26/08 until 01/09/2019

“ Axis / SAM 2019

We perceive SAM residency as a growing archive of personal / intimate artistic gestures that correspond with wider environment. Multiple layers are involved in this process from geography, history to geology from social, economic to political contexts. It’s a platform where personal traumas are examined along the voices commenting global trends. This dialogue between outsider’s perspectives and local habitat creates an intriguing shift of local contexts and potentially makes them the agents of wider agendas. With the second SAM residency we are more than a half way through the puzzle of stories that help to rethink Lessinia.
The work of 4 artists has been structured in a constellation of axis operating on both physical and metaphorical level. The gallery serves as a starting point in exploration of town’s structure, neighboring villages and natural sites. The works have created an alternative map of the region. It’s an invitation to make physical trip to either discover more works located outside of the gallery space or go back and rediscover the places with the backdrop the artists have proposed.“

Text from Rafał Milach & Ania Nałęcka-Milach

 

Axis, Exhibition’s views, Pictures (c) Rafał Milach 

 

 

 

 

Publikationen, Ausstellung FRAGMENT, Guardini Galerie, 2019

 

Art in Berlin, 08/08/2019
“ Claire Laude dagegen sucht mit ihrer Rauminstallation Ephemeral Interects, La Maison de Verre (2019, Holz, Glas, Farbreste, Metall) die Verortung „realer Fundstücke“ und platziert Teile von Fenstern und Türen unabhängig voneinander und ohne verbindende Mauerteile im Ausstellungsraum.“

 

RBB- Online, 18/07/2019
“ La Maison de Verre, „Glashaus“, nennt die französische Künstlerin Claire Laude ihre räum ausbreitende Installation aus alten Fenstern und Türen, die sie im Abrisshäuser gefunden und gerettet hat. Sie erinnert einerseits an alte handwerkliche Traditionen und Qualitäten und lädt zugleich ein, in der Phantasie ein neues Haus damit entsteht zu lassen.

 

 

Finalist Open Call for an Open Air Installation, Gibellina PhotoRoad

 

I’m very happy to be one of the FINALISTS of the CALL for an OPEN AIR INSTALLATION, Gibellina PhotoRoad

Finalists : Arianna Sortino, Chiara Diana, Claire Laude, Collettivo kublaikan, Eleonora Scoti, Enzo Giasone, Filippo M. Nicolette, Giulio Nifosi, Francesco Paolo Catalano/ Giuseppe Accardo, Gloria Oyarzabal, Giulia Sofi, Martina Riva/ Giuseppe Nastasi, Matteo Fieni, Umberto Coa, Valentina Vannicola, Zhao Qian 

Winner : Collettivo kublaikan

 

 

 

 

The Future of Time, GEH8, Dresden, 2019

 

Exhibition THE FUTURE OF TIME

Opening 13/06/2019 at 7 pm

Exhibition from 14/06 to 07/07/2019

 


Curators : Tereza Nováková & Thomas Judisch
With : Miriam Hamann (AUT), Angelica Fernandez Ortiz (DEU), Robert Vlasák (CZE), Frenzy Höhne (DEU), Claire Laude (FRA), Mila Panic (BIH), Jan Krtička (CZE)

»The Future of Time« widmet sich der künstlerischen Auseinandersetzung mit Fragestellungen zur Zeit. Ob historisches Memento mori oder visionäre Zukunftsvisionen, die Verortung auf der Achse der Zeit bildet einen Ankerpunkt für unser Bewusstsein. Hier lässt sich das Vergangene reflektieren, das Künftige ins Visier nehmen und die Gegenwart begreifen.
Die Ausstellung verbindet verschiedene Positionen internationaler Künstler*Innen in teils raumgreifenden Installationen und eröffnet dem Publikum vielseitige und neue Perspektiven auf ein universelles Thema. Lassen Sie sich überraschen und nehmen Sie sich die Zeit.

Foto © Mila Panic; aus dem Video ‚Burning Field‘, 2017

 

 

 

 

Fragments, Guardini Stiftung, 2019

 

Ausstellung von 13/05 bis 09/08/2019

Guardini Galerie, Guardini Stiftung, Berlin

Ein Kooperationsprojekt der Guardini Stiftung e. V.und der Willms Neuhaus Stiftung – Zufall und Gestaltung  in der Guardini Galerie

„Immer fehlt etwas. Das Auge sieht, das Hirn ergänzt: Bruchstücke werden zu Bauwerken, die Taten der Toten lebendig, herrlicher und vollkommener, als sie es jemals waren.“ (Judith Schalansky)

Eine Ausstellung über die Vollkommenheit des Fragments und die ungeahnte Kraft der Fantasie, die Faszination am Unvollendeten und über die Anwesenheit der Abwesenheit.

Fragment zeigt künstlerische Arbeiten von Susanne Ahner und Frika Duwe, Colin Ardley, Thorsten Brinkmann, Birgit Cauer, Claudio D’Ambrosio, Birgit Dieker, Lara Faroqhi, Harriet Groß, Mark Lammert, Mathias Lanfer, Claire Laude, Herta Müller, Bettina Munk, Antonio Panetta, Alke Reeh, Nadja Schöllhammer, Jo Schöpfer, Susanne Specht, Caro Suerkemper, Cony Theis, Dagmar Uhde, Dagmar Weissinger und Sofi Zezmer.

Grußworte: Peter Paul Kubitz, Mitglied des Präsidiums der Guardini Stiftung | Dr. Agnes Neuhaus-Theil, Willms Neuhaus Stiftung
Einführung: Frizzi Krella, Kunsthistorikerin und Kuratorin, Guardini Stiftung

Kuratiert von Dr. Birgit Möckel, Prof. Susanne Specht (Willms Neuhaus Stiftung) und Frizzi Krella (Guardini Stiftung).

 

 

 

 

 

 

Les Utopies Rouges, Festival Images Singulières, 2019

The book Red Utopias has been exhibited at Images Singulières, the 11th Sète Photography Festival from 29/05/2019 to 16/06/2019.

Essarter Editions 

 

 

 

Residency Såm Lessinia, 2019

I’m very happy to be one with Anto Milotta, Krzysztof Swiatly, Martina Zanin one of the resident of Såm Lessinia this year.

Såm Lessinia’s residency is curated and organized by Chiara Bandino, Ana Blagojevich e Francesco Biasi.

Curators 2019 : Rafal Milach and Ania Nalecka

Såm Lessinia

Lessinia is a geographic region located in the Prealpi Venete, most of which is part of the province of Verona whereas the remaining smaller part remains under of the provinces of Vicenza and Trento.
A slice of this territory constitutes the Regional Natural Park of Lessinia – a vast plateau of forests and grazing land, where nature and traditions of ancient populations blend in together. It is a land of spectacular karst phenomena and traditional districts with stone rooftops, it is rich in fossil deposits unique in the world that serve as proof of its origins.The natural park, instituted in 1990, occupies 10’000 hectares rich in history, archaeology, unique natural and geological phenomena; as well as priceless ethnographical, architectural and linguistic aspects. Bosco Chiesanuova, with a population of 3’000 inhabitants, is one of the most important districts of Lessinia and it is located 30 km from Verona.
SÅM is a triennial project based on the visual exploration of Lessinia. SAM operates in collaboration with the Lessinia Film Festival which includes many cultural events revolving around the theme of the mountain, taking place in the rooms of the gallery Fonderia 20.9 in Verona. The artist residency is now at its second edition and also includes a workshop in Bosco Chiesanuova. SÅM is a project curated by Ana Blagojevic, Chiara Bandino and Francesco Biasi.
Photographer Rafal Milach and book-designer Ania Nalecka will be the curators of 2019 year’s artist residency.The curators, together with SÅM staff, will select three artists who will be invited to work on the Lessinia territory.A fourth artist will be chosen in collaboration with Sputnik Photos collective in order to participate in the Mentoring Programme hosted by this Polish collective.
The selected artists will have 20 days, divided into two phases, in order to produce a body of work, which will be shown at the end of August as part of the 25th edition of the Lessinia Film Festival as well as at Fonderia 20.9 during Spring 2020.

I period – Thursday 21st – Sunday 24th March 2019

Exploration and research.

II period – Monday 13rd – Sunday 26th May 2019
The second phase will last two weeks and it is ought to be the most productive part of the residency.During this phase (21-26 May) the two curators, Rafal Milach and Ania Nalecka, will be on site inorder to tutor the artists in the editing, the development and the progress of the project and the planning of the final exhibition.

Final exhibition – Saturday 24th and Sunday 25th August 2019

The exhibition will take place in the Centro Culturale of Bosco Chiesanuova during the Lessinia Film Festival Opening Weekend. Moreover, the participating artists will have the chance to hold a presentation open to the public during which they can talk about their working process and the project they carried out on Lessinia.

 

 

 

 

Altered States, WUK, Vienna 2019

 

24/01 – 09/03/2019

Kunsthalle Exnergasse, WUK, Vienna

 

 

With works by Lina Albrikiene (LT), Jolanta Dolewska (PL/GB), Olson Lamaj (AL), Claire Laude (FR), Susana Pilar (CU)

Curated by Nadia Pérez (MX)

Context is a mental mechanism that gives meaning to human experiences. Decontextualisation eliminates this mechanism by separating the subject of study from the environment that frames it. Without context we alter the order of the narrative. One might argue that decontextualisation renders a sign meaningless, but it can serve as means to develop a reflexive, artistic, innovative thought process. Five artists formulate their artistic proposals based on this common process. They apply the method of decontextualisation in varying ways to explore concerns that arise when examining the concepts of time, space, identity, memory, and the present. The exhibited projects weave an intimate narrative that generates questions about the human being and the circumstances that surround us.

Altered States, WUK, Vienna

 

Les Utopies Rouges, 2019

 

„Red Utopias is a collection of three books that bring together the photographs and texts of a dozen European authors and photographers around the theme of political utopias in Europe in a post post-soviet era.

In the wake of the centenary of the October revolution, we have been reminded that communism is and only has been possible through the unreality of literature and theory. Throughout history, the application of socialist theories of Marx, Lenin and Stalin proved to have a propensity for totalitarianism. Everywhere,the influence of the USSR was so strong that it remainsin memory as a kind of hope, an inaccessible dream necessary to maintain. As if it were a political plan still possible, it sees itself unevenly commemorated between societies.

The idea that commemoration is sometimes utopianis reflected in the historiography of the Euromaidanin 2014. The revolution that preceeded the war.The national pride of the uprising, embodied by the decommunisation, has produced disillusionment. To remedy this, inhabitants, intellectuals, writers, artists and photographers are seeking to reinvent life in society. On the other side, in the separatist zone of Donbass, the glorious moments of the USSR are celebrated, and the inhabitants, caught up in the war, try to live in this microcosm, relying on socialist hope.

Entering this year, we have seen through numerous publications and societies -Western but also
the farthest – a need to talk about dreams to escape.

It is a question of collecting the testimonies of a particular utopia. An utopia that envisages the revival of another utopia: The Communist utopia.
Is there any sense in talking about replicating this utopia? Is it not more a kind of restoration if it is
the elites who call it their wishes? Or is it not a kind of reactionary thought on the part of the popular circles that won nothing at the fall of the Berlin wall?

It would then be a curious reaction since it wouldre-establish an ideology that specifically deniesany value to the past. What is the object of the nostalgia of Communism: This is what we want
to discover, we who first grasp it as a mortifying ideology? Are we blinded by Western propaganda and by a more biased teaching than we would like to believe?

Red Utopias are collective memories, spaces and people. We interrogate architectures and places of memory through testimony and theory.

Red Utopias are an assembly of large format books that gives as much space to images as it does texts, without relegating one or the other to a secondary plan. Connected together by small notches, Red Utopias are a construction that readers can manipulate, clip, detach, reattach, assemble.

The trilogy Red Utopias brings the resultant content to life through individual launchings, a meeting and a series of lectures in the presence of photo-graphers and authors across France, the UK andmore. It gives readers the opportunity to be able to share their thoughts, to exchange, to question, the books become a meeting space.“

From the Press Kit, Essarter Editions

Essarter Editions

1/3 – FROM L’EXIL
Arthur Bondar
Marylise Vigneau
Larisa Pelle &
Olessia Venediktova

2/3 – THE RECONCILIATION OF SPACES
Claire Laude
Karol Palka

3/3 – WITH THE PEOPLE
Maxim Sarychau
Alexander Ermochenko
Florian Tonnon
Christopher Nunn

 

Right : picture on the left © Karol Palka, on the right © Claire Laude

 

 

 

Urbanautica Photo Annual Awards, 2018

I’m happy and proud to be the Winner of the Urbanautica Photo Annual Awards 2018, Category Architecture, Space and Conflicts!

 

 

Winner Claire Laude

Shortlisted Arthur CrestaniAlex CurrieAndrew Waits

Special mention Marinos Tsagkarakis

“ About We are proud to announce the first ever Urbanautica Institute annual awards dedicated to the photographic project!
We are looking to reward photographers who have distinguished themselves with:

  • the high quality of their research,
  • the ability to convey meaningful messages with their work,
  • the strength to go deeper on those issues most important to society,
  • and who open the language and the narrative form to other perspectives.

We are looking for project-oriented work not, single „wow“ images.
We have chosen specific categories and topics. We are aware that there are different and alternative approaches today to the photographic medium and the production of images, and we welcome a variety of photographic modalities (linguistic, structural, formal and expressive) through which these issues are addressed. We care about the depth of intuitive thinking as much as the strength and coherence of the proposal.

Jury We are the Jury! In the past ten years, Urbanautica Institute has contributed to the medium of photography by presenting the work of international photographers and educators with great care and attention, while also raising awareness of photography’s role in the world. Our Journal archive counts several hundred interviews, scores of reviews, and almost uncountable photographs and projects. Our credibility is based on research and studies that require years of effort, professionalism, competence, patience,  and passion, and is proven through our collaborations with galleries and museums worldwide in the resulting exhibitions and catalogues.
We feel that now is the time to give life to a serious international photographic competition that will not only reward authors, but will help continue to fulfill our mission, stimulating a critical reading of images, and fostering a better knowledge of the world and of photographic grammar.“

(Text from Urbanautica)

 

 

 

Projektstipendium Mach den Kiosk 2018, Kiosk am Reileck, La Ligne d’Ombre, 2018

 

Eröffnung der Ausstellung am 10. November 2018 um 18.00 Uhr am Kiosk:
Einführung von Katrin Eitner, Förderverein zum Aufbau einer Juliane Noack Künstlerförderung e.V.
Künstlerinnengespräch um 20 Uhr am Stadtlabor:
Claire Laude – Installation, Fotografie & Video
Kaetha _ hannah goldstein & Katja Haustein – Kuratorinnenteam
Inken Reinert – Installation & Zeichnung

 

© Gerolf Mosemann www.gerolf-mosemann.com

 

 

 

Verzasca Foto Festival, 2018

Verzasca Foto Festival 2018

Verzasca

28/07/2018 – 28/10/2018

The Inner Forest

The Inner Forest is the theme of the 5th Verzasca Foto Festival. The projects showcased in the outdoor exhibitions are in dialogue with the surrounding territory and reflect one of the festival’s core visions: nature perceived as a source of creative stimulus. Walking and roaming through the forest, immersed in a primordial and free universe, we can draw inspiration along the way.

The forest explorers are twenty local and international artists. Through a variety of sensitivities and expressions, they provide a cross section of contemporary photographic research, ranging from new documentarism to lyrical, ironical, or conceptual narrative. Their works represent both images of the exterior and the interior nature, crystallizations of different awarenesses grown in diverse contexts, that convey a cosmopolitan breath.

The authors of the works selected for the outdoor shows conceive the forest—in its multiple dimensions: physical, metaphysical, and experiential—as a territory to explore. Objective and subjective dimensions speak about what surrounds us, but also about what we feel, opening the way to introspection and artistic reflection.

Activities like nocturnal projections in thegrottos and piazzas of the Verzasca Valley, workshops, round tables, concerts, walks, and exhibition openings in the woods round up the program, offering informal networking opporturnities with the local population and artists from all over the globe.

The Verzasca Foto Festival is set in a genuinely natural environment, a place of peace in the mountains that stimulates the interaction between people who are curious to move, seek, discover.

 

 

With : Andrea Eichenberger (Br-Ch)- Brigitte Lustenberger (Ch)- Camila Rodrigo (Pe)- Cecilia Vidal (Uy)- Claire Laude (De/Fr)- David Wagnières (Ch)- Derek Man (Uk)- Eva Lauterlein (Ch)- Emilio Nasser (Ar)- Farzin Foroutan (Ir)- Ilana Bar (Br)- Jagoda Wisniewska (Pl-Ch)- Javier Medina Verdolini (Py)- Kasia Jackowska (Pl-Ch)- Mai Al Shazly (Eg)- Massimiliano Rossetto (Ch)- Nathalie Bissig (Ch)- Roshan Adhihetty (Ch)- Soos Chronicles (It)- Teo Becher (Fr)- Tomas Wüthrich (Ch)- Zuzana Pustaiová (Sk)

 

 

 

Kleister 2018

KLEISTER

01.09.18, Görlitzer Straße, Berlin

With : Frederico Azevedo, Göksu Baysal, Anna Ehrenstein, Catherine Evans, Ayala Gazit, Torben Geeck, April Gertler, hannah goldstein, Katja Haustein, Leonie Hugendubel, Isabel Kiesewetter Birgit Krause, Claire Laude, David Neman, Clément Paillardon, Nadja Ritter, Nina Röder, Gilles Roudière, Daniel Seiffert, Kamil Sobolewski, Sonja Stadelmaier, Dana Stölzgen, Kathrin Tschirner, Anna Simone Wallinger, Annabel Werbrouck

 

 

 

 

Noorderlicht International Photofestival 2018

 

Noorderlicht International Photofestival 2018

Museum Belvedere

23 /06/2018 – 23/09/2018

IN VIVO | the Nature of nature

IN VIVO, the 25th Noorderlicht International Photofestival, is about our ambiguous relationship with nature. Museum Bélvédère in Heerenveen becomes the setting for photographic art possessing a confrontational beauty, images inspired by our rich tradition of experiencing nature. IN VIVO will be a modern, threedimensional nature scrapbook with a twist, about how our loving way of experiencing nature is directed by hidden social and cultural constructions.

Noorderlichts aims to raise awareness in its audience about the fact that our natural environment, from intimate back gardens to remote regions, is radically affected, or even created from scratch, by ourselves. IN VIVO challenges and enables the viewer to look in another, probing manner at the living eperiment we call nature.

The Noorderlicht International Photofestival 2018 takes place from 23 June to 23 September. Collaborating with partner organisations, an encompassing multidisciplinary project containing photography, other visual arts, and music is created.

 

 

With : Terje Abusdal Norway * 
Catherine Balet France * 
Lionel Bayol-Thémines France
 * Sergio Belinchón Spain
 * Aletheia Casey Australia
 * Jon Cazenave Spain
 * Alejandro Chaskielberg Argentina
 * Juan Fabuel Spain * 
Dana Fritz United States
 * Eddo Hartmann The Netherlands * 
Michael Lange Germany
 * Claire Laude France
 * Karine Laval France/United States
 * Olivia Lavergne France * 
Lisa Mccarty United States
 * Francesco Merlini Italy * 
Catherine Nelson Australia
 * Daan Paans The Netherlands
 * Benedikt Partenheimer Germany * 
Louis Porter United Kingdom * 
Sayler | Morris United States
 * Diana Scherer Germany
 * Claudius Schulze Germany * 
Tara Sellios United States * 
Christine Simpson United Kingdom * 
David Stephenson Australia/United States * Marvin Tang Singapore * 
Terri Weifenbach United States * 
Yelena Zhavoronkova United States *  Thomas Zika Germany

 

 

 

Revolv Collective One Year Exhibition, London, 2018

 

Revolv Collective One Year

Safehouse 1, 139 Copeland Road, Peckham, London, SE15 3SN

Thursday 28th June 2018 from 18:00 to 21:00.

The exhibition was open also during 29th and 30th of June from 10:00 to 17:00 and on the 1st of July from 10:00 to 16:00.

 

 

With : Adrian Wojtas, Alana Martin, Alessandra D’Innella, Alexandra Boaru, Alex Beldea, Benedetta Casagrande & Leonardo Falascone, Billie Lynch, Cailean Couldridge, Cameron Williamson, Charlotte Robinson, Claire Laude, Dan Commons, David Barreiro, Dorothée Nowak, Dryden Roesch, Elena Helfrecht, Ëpha Roe, Ernielson Limbo, Fiona Steel, Gökhan Tanrıöver, Guillaume Tomasi, Hugh Kinsella Cunningham, Imogen Davis, Ivaylo Andreev, Jamain Gordon, Jemma Hall, João Pedro Machado, José Martínez Perea, Josh Huxham, Kamil Śleszyński, Karoliina Kase, Kasia Gebska, Kathy Anne Lim, Koral Marcovich, Kyle Lewis, Leanne Atkin, Leticia Batty, Luca Farinelli, Lucie Blissett, Maciej Czepiel, Mark Longdescu, Mark Tamer, Mathilde Vaveau, Matthew MacPake, Megan Wilson-De La Mare, Melanie King, Micaela Mau, Millie Elliott, Miriana Greco, Nathan Cutler, Nick Tarasov, Paul Wheatley, Peter Spurgeon, Peter Ydeen, Petra Maria, Rhona Eve Clews, Robert Law, Ryan Munday, Saesha Ward​, Samuel W. J. Fordham, Samara Knight, Sarah Fuller, Sarah Flynn, Sarkiz Mutafyan, Sophie Merrell, Stephanie Mortimore, Steven Butter, Thomas Wynne, Tom Maxwell, Verity Adriana, Veronica Viacava, Victoria Doyle, William Lailey, Willie Robb, Yağız Yeşilkaya, Zoe Amanda Jackson and Zoe Hamill.

 

 

 

Exhibition „изображения другого, BILDER VOM ANDEREN“, Neue Kunsthaus Ahrenshoop, Germany

Ausstellung vom 3. Dezember 2017 bis 12. März 2018

Eröffnung am 2. Dezember 2017 um 17 Uhr in das Neue Kunsthaus Ahrenshoop

Aus Anlass von 15 Jahren Kooperation zwischen dem Künstlerhaus Lukas und dem Zentrum für zeitgenössische Kunst in Kaliningrad zeigen aus-gewählte Stipendiat*innen des Austauschpro-gramms beider Länder Werke. Ein der Ausstellung vorangegangener Workshop im Künstlerhaus Lukas ging der Frage der Bedeutung der BILDER VoM ANDEREN nach. Ein zweisprachiger Katalog dokumentiert die Bedeutung der Arbeitsaufent-halte im anderen Land.

Publikation/ Katalog mit : Julia Abramova, Natalia Agulnik, Laura Bielau, Evgeny Brodsky Katerina Cherevko, Lia Darjes, Klaus Ferentschik, Daria Glushkova, Falk Haberkorn, Dana JES, Sven Johne, Ingar Krauss, Claire Laude, Alexandr Liubin, Bernhard Schrock, Iurii Selskii, Mascha Suhomlina, Konstantin Traschenkov, Ruth Wyneken, Artem Zaytsev

Ausstellung  mit :  Laura Bielau,  Dana JES,  Ingar Krauss, Claire Laude, Alexandr Liubin, Iurii Selskii, Konstantin Traschenkov, Ruth Wyneken, Artem Zaytsev

 

 

 

 

Exhibition „ABRISS“, Haus des Gastes, Waren

Ausstellung ABRISS – Mit Ina Schoenenburg

Von 20. Oktober 2017 bis 6. Januar 2018

Haus des Gastes Waren, Neuer Markt 21, 17192 Waren (Müritz)

Öffnungszeiten der Ausstellung . Mo – Fr 10 – 18 Uhr – Sa 10 – 15 Uhr

Im Haus des Gastes in Waren, zeigen Claire Laude und Ina Schoenenburg erstmalig eine Zusammenstellung von ihren verschiedenen Arbeiten zum Thema „Abriss“.

„Die Werken von Ina Schoenenburg und Claire Laude setzen sich auf sehr unterschiedliche künstlerische Weise mit Übergangsprozessen auseinander, dem fragilen Zustand zwischen dem, was war, und dem, was sein wird. Claire Laude erforscht provisorische architektonische und räumlichen Strukturen, Ina Schoenenburg beobachtet ihre eigenen familiären Strukturen zwischen den Generationen.“ (Ulrike Schmitz)

„Während Ina Schoenenburg über die Fotografie eine neue Beziehung zu ihrer Familie aufbaut, sucht Claire Laude nach Resten von dem, was in nun unbewohnten Gebäuden übriggeblieben ist. Beide richten sich neu ein und aus, die eine vielleicht noch davor, die andere nach dem Abriss.“ (Anke Schüttler)

 

 

 

 

 

Residency, Kaunas Photography Gallery, Workshop & Artist talk, Nida 2017 International photography symposium

I’m very happy to have been invited by the Kaunas photography Gallery to be a resident during three weeks   in Kaunas and Nida.

Kaunas Photography Gallery 

Workshop in Nida, from 03/09 to 05/09, public presentation on the 07/09.

International Photography Symposium Workshop (in Lithuanian)

Artist talk 09/09.

International Photography Symposium Nida

 

Artist Talk, International Photography Symposium Nida, 2017 © Nick Kharchenko

Workshop, International Photography Symposium Nida, 2017 – with Lina Alkibrienė, Birute Kurtinaitienė, Irma Norbutaitė, Aidas Urbanas

 

 

 

 

 

Exhibition „Errance Blanche“, FOTOHAUS Arles 2017

Project from ParisBerlin Fotogroup
FOTOHAUS | PARISBERLIN, 7 Rue de la Roquette, Arles, France

Vernissage/ Opening 5/07/2017 at 6 30 pm
Exhibition from 03/07 to 09/07/2017

With :
Cihad Caner, Elena Capra, David Favrod, Matthieu Gafsou, Aras Gökten, Isabel Kiesewetter, Birgit Krause, Claire Laude, Michel Le Belhomme, Truth Leem, Pierre Liebaert, Sara Palmieri, Ulrike Schmitz, Ina Schoenenburg, Torsten Schumann

 


E
Following an invitation from FOTOHAUS | PARISBERLIN to organize an exhibition on the theme Rausch / Ivresse, Claire Laude and Michel Le Belhomme have invited fifteen international positions of artists around the concept and title „Errance Blanche“.
„Errance blanche“ means the condition when one changes from a feeling of comfort to a confused consciousness and then experiences a feeling of euphoria. „Im Rausch sein“ / „être en ivresse“ (French) / “to be in a state of euphoria” can also mean the feeling of invincible power and force which rises regardless of the substances one takes.

This euphoria can be compared with a creative force and its emotions. „Errance“ refers to this moment of disorder when the body falls and moves back and forth into a different state when the euphoria and its abnormalities begin.

White refers to the substances, e.g. the color of alcohol or drugs. Metaphorically it can also stand for the white blank page of the artist.

D
Das FOTOHAUS | PARISBERLIN hat die Künstler Claire Laude und Michel Le Belhomme eingeladen eine Ausstellung zum Thema Rausch / Ivresse zu kuratieren. Sie haben 15 internationale Positionen zusammengeführt, die sich mit dem Thema „Errance Blanche“ auseinandersetzen.

„Errance blanche“ beschreibt den Zustand, der einsetzt, wenn der Bewusstseinszustand einer Person aus einem Zustand des Wohlbefindens in einen verwirrenden Zustand wechselt und ein Gefühl der Euphorie entsteht.
„Im Rausch sein“ / être en ivresse kann auch bedeuten, dass ein Gefühl einer unbesiegbaren Macht aufsteigt und eine Kraft unabhängig von der Einnahme berauschender Substanzen, entsteht. Diese Euphorie kann mit der kreativen Kraft und im künstlerischen Prozess entstehenden Gefühlen verglichen werden. „Errance“ bezieht sich auf diesen Moment der Störung, in dem der Körper in einen anderen Zustand fällt, wenn die Euphorie und deren Abweichungen beginnen. „Blanche“ (Weiß) bezieht sich auf die Farbe rauschauslösender Substanzen. Metaphorisch kann es auch für die weiße leere Seite zu Beginn eines künstlerischen Prozesses stehen.

Die Ausstellung „Errance Blanche“ vereint ambivalente Positionen zum Thema Rausch.

F
Suite à une invitation de la FOTOHAUS | PARISBERLIN à organiser une exposition sur le thème Rausch / Ivresse, Claire Laude et Michel Le Belhomme ont réuni quinze positions d’artistes photographes internationaux autour du concept et titre „Errance Blanche“.
„Errance Blanche“ suggère un moment de basculement d’un état à un autre, lorsque la raison se laisse envahir par un sentiment d’extase. „Im Rausch sein“ / „être en ivresse“ peut signifier être envahi par un sentiment de puissance, quelle que soit l’action, lié ou non à l’absorption de drogues, comme lors de l’excitation due à l’énergie créatrice. Errance suggère un moment de trouble, au début de l’euphorie et les déviances l’accompagnant. Blanche se réfère aux substances, telles la couleur de l’alcool ou la drogue, ou métaphoriquement à la page blanche de l’artiste.
„Errance Blanche“ propose des approches ambiguës et multiples sur le thème de l’ivresse et de la création.

 

 

 

International workshop in Kiev, Mystetskyi Arsenal : Spatial development scenarios

 

 

6-day international and interdisciplinary workshop in the framework of the 10th International Architecture Festival CANactions 2017. The workshop is aimed at elaboration of the spatial development scenarios for ‚Mystetskyi Arsenal‘.

Curator : Mirjam Niemeyer / Helsinki, Zürich (FI / CH)

Tutors : Víctor Cano Ciborro, Fani Kostourou, Adriana Pablos / Future Architecture Platform: call for ideas 2017

Participants : Critically-thinking practitioners, researchers, and artists with background in urban design, city planning, and architecture, economics, political and cultural studies, journalism, sociology and other related fields.

With : Odile Compagnon, Nathalie Eldan, Claire Laude,  Simone Ierardi, Rob Brink, Oleksandra Khalepa, Radu Vit, Victoria Gonzales-Aller, Yuliia Buria, Samuel Iuri, Henrietta Hmenya, Mariia Rastvorova, Mateja Rot Kranj, Ceren Tekin, Yevheniia Likhachova, Oleksandra Davydenko, Ana Grigolia, Dmytro Tereshchenko, Samko Alina, Danylo Olkhovyk, Dasha Korba 

From 29/05/2017 to 03/06/2017

Location : Mystetskyi Arsenal (10-12 Lavrska St., Kyiv, Ukraine)

 

 

Profilkurs, Hermann-Hesse Gymnasium, Ausstellung

 

Ausstellung : 23/03/2017

Mit : Akar Cansu, Al Bayati Fatma, Fakih Mohamad, Nasrallah Israa, Nur Ferdousi, Gülbahce Yasemin, Gün Halenur, Kilic Eda, Özcan Derya-Nur, Sen Tugba, Yel Selin

Die Schüler und Schülerinnen des Profilkurses am Herrmann – Hesse – Gymnasium hatten die Aufgabe, einen Ort, einen Platz, ein Objekt in ihrem Gymnasium auszusuchen und es in mehreren Aufnahmen zu fotografieren; diese Fotografien sollten danach als Collage rekonstruiert werden. Zu diesem Projekt haben die Jugendlichen eine Ausstellung mit dem Titel „De-konstruktion“ verwirklicht.

Hermann-Hesse-Gymnasium
Böckhstr. 16
10967 Berlin

 

 

 

Das Rätselhafte Verschwinden von Alfred Partikel, Neues Kunsthaus Ahrenshoop, 2017

 

Eröffnung : 04/03/2017

Ausstellung : 05/03/2017 – 01/05/2017

Mit : Caroline Bayer, Gert Bendel, Ewa Berg, Günter Blendinger, Jan Decker, Matthias Dettmann, Udo Dettmann, Elli Graetz, Cornelia Groß, Guðrún Gunnarsdóttir, Klaus Hack, Eberhard Hartwig, Olli Heikkonen, TO Helbig, Heike Jeschonnek, Thomas Judisch, Peter Kaiser, Claudia Kapellusch, Jeanett Kipka, Thomas Kleinschmidt, Hagen Klennert, Gitte Klisa, Synke Köhler, Stephanie Krumbholz, Claire Laude, Julia Leschik, Dörte Meyer, Claudius Nießen, Frauke Otto, Justine Otto, Maria Raeuber, Fabian Reimann, Clara S. Rueprich, Christiane Gerda Schmidt, Andy Scholz, Bernhard Schrock, Uta Siebert, Petra Steeger, Christiane Stegat, Anne Steinhagen, Armin Strohmeyr, Neil Taylor, Saskia Wenzel

Der Maler Alfred Partikel (*1888) verschwand am 20. Oktober 1945 beim Pilzesammeln im Ahrenshooper Holz, einem noch heute sumpfigen, naturbelassenen Waldstück zwischen Bodden und Meer. Seit Jahrzehnten wird über sein Verschwinden gerätselt und spekuliert. Sein Leichnam wurde nie gefunden. Partikel war mit dem Fahrrad aus Ostpreussen geflohen. Er bewohnte immer wieder seit 1921 sein Haus in Ahrenshoop, in das er sich immer wieder zur Erholung oder vor den Repressalien des Faschismus und den Auswirkungen der Kriegswirren zurück zog. Alfred Partikel war Mitglied der Freien Secession und des Deutschen Künstlerbundes. Einige seiner Werke wurden zur Zeit des Nationalsozialismus als entartet deklariert. Als bedeutender Darsteller ostpreussischer Landschaft befinden sich seine Werke in namhaften Museen, so auch im Kunstmuseum Ahrenshoop, von dem eine Radierung in der Ausstellung zu sehen sein wird.

Wir fragten nach der heutigen Bedeutung dieser mythosbehafteten Geschichte. Die mitwirkenden Künstlerinnen laden Sie ein, sich mit Wort und Bild diesem Thema aus heutiger Sicht zu nähern. Unsere Ausstellung birgt verschiedene Blickwinkel auf die damaligen Ereignisse, spielt mit dem Fiktiven, thematisiert das Heute und nähern sich so dem Thema des Verschwindens, Fliehens oder Vergessens. So verschwindet Alfred Partikel beispielsweise wörtlich im Holzrelief des Bildhauers Klaus Hack oder wird symbiotisch eins mit der Natur im Objekt von Christiane Stegat oder in der Zeichnung von Uta Siebert. Caroline Bayer thematisiert mittels ihrer Rauminstallation die Fragen nach Wahrheit und Fiktion des Verschwindens einer Person. Die Bedeutung des dichten und undurchdringbaren Waldinneren ist unter anderem Sujet der Malerei von Cornelia Groß, Thema der Fotografien von Claire Laude oder Handlungsort der Videoarbeiten von Clara S. Rueprich, Dörte Meyer und Gert Bendel. Gedichte von Armin Strohmeyr und Olli Heikkonen verweisen auf die besondere Natur des Waldstückes, während Jan Decker mit einer Nachkriegsgeschichte den Bogen zu heutigen Krisenzeiten schlägt.

Neues Kunsthaus Ahrenshoop
Bernhard – Seitz – Weg 3a
18347 Ahrenshoop

 

 

Ahrenshooper Seiten, 2016

 

Ahrenshooper Seiten, 2016

Künstlerhaus Lukas

Edition Hofes Ufer Ahrenshoop

 

 

 

Workshop, NCCA, Kaliningrad

 

 

21/01/2017

Im Rahmen der Ausstellunng, „Durchkonstruierte Situationen“/ Выставка „Сконструированные ситуации“

Mit der freundlichen Unterstützung von dem General Deutschen Konsulat in Kaliningrad.

Baltic Branch of NCCA, Kaliningrad

Офис: Калининград, ул. Дм. Донского, 7/1

 

 

Exhibition „Сконструированные ситуации“/ „Durchkonstruierte Situationen“ NCCA, Kaliningrad, 2017

 

Eröffnung : 20/01/2017

Ausstellung : 20/01- 20/02 2017

5 Jahre Residenz und Austauschprogramm zwischen „Baltic Branch of NCCA“ und das „Künstlerhaus Lukas Ahrenshoop“

Baltic Branch of NCCA, Kaliningrad

Офис: Калининград, ул. Дм. Донского, 7/1